Mobile Application

We developed a user-friendly mobile application which can be downloaded over the official stores.  People can now save endangered species by buying a digital token

Building a zero-carbon blockchain allowed us to lauch NCs in a sustainable way nand to make these digital twins globally tradeable.

A mobile app allows us to present a custom interface which is easy to use and to hide our technology behind it. Everybody "knows" mobile Apps ;-)

 

 

Satellite tagging

Saigas migrate across several million hectares. To map their use of the steppe grassland, the experts have successfully fitted satellite transmitters to over 40 saiga antelopes. As a result, they were able to detect their major migration routes, and calving and wintering areas.

It is essential to secure the funding for the equipment, the participation of the experts trained in collar fitting as well as the support and approval of the government to conduct the research. 

It is key to have the national authority's support and participation and make sure that the government knows what data is acquired and how it will be used. 

Monetarisation of Biodiversity assets

Nature Collectibles are digital twins of real world species and allow the monetarisation of biodiversity assets over a net zero-carbon bockchain

The ease of collecting and trading NatureCollectibels, the digital twin of a species in a specific area, which allows real biodiversity assets to be monetarised.

Monetarising nature assets is a difficult issue but digital representations on blockchain are a simple way to generate funding for protected and conserved areas

Interactive technology for conservation

Technology knows no barriers and we are yet to innovate and discover more with a changing world.

 

By using the underwater cameras it has allowed us to bring ahead the live viewing and monitoring where previosuly we were limited. Thus allowing us to better engage with local fisher community, for them to get a sense of ownership and unite to better understand and protect this ecosystem. 

 

This has also facilitated the data sharing of the status of the reef locally and across different channels but also to open the door for more scientific collaboration locally and internationally. 

 

 

  • Local community buy-in
  • Interactive technology 
  • Data sharing

Technology here not only brought live viewing and interaction but a completely new level of underwater restoration. Fish and coral interaction can be securely monitored allowing scientist to discover more about underwater interactions.

Community engagement and partnerships

This project cannot succeed on its own. For the long-term success of coral reef restoration, it was important to develop strong collaboration with locals, fisher communities, other stakeholders. Through the Tech4Nature partnership, we were able to get more support and engage locally with other stakeholders.

 

By engaging the fisher communities in coral reef restoration from the beginning of the project and allowing them to take part in eco-tourism activities. This not only saved the area from further damage but allowed the fishermen to generate more incomes through sustainable touristic activities while also enjoying the overspill of increased fish abundance in the area.

  • Close-up monitoring by local communities
  • Ownership by fishermen communities
  • Strong partnership with local companies

This has allowed us to continiously bring the work done underwater to the general public (global level).

EMS
Community engagement and partnerships
Interactive technology for conservation
EMS
Community engagement and partnerships
Interactive technology for conservation
EMS
Community engagement and partnerships
Interactive technology for conservation
EMS
Community engagement and partnerships
Interactive technology for conservation
Art Photography

We document and promote our work through art photography. Pictures are powerful, as they are visual materials that people can see. They make messages around conservation more impactful among the community members we work with.

We engage professional photographs to join and document expeditions. So far, we have a portfolio of more than 17,342 pictures.

  • Keen to involve artists in supporting conservation work.
  • Revisiting our local traditional conservation methods involved working with artists and cultural practitioners.
  • Art and culture is a tool Africans have always used and continue to use to educate wider communities to love their nature.
  •  Visual art is the best tool to send a message faster and more powerful to communities, especially young people.
  • Art and culture reconnect personally to his/her roots.